“Life’s Grammar…
You are all what the myth can’t bear.

You are an open tense,
To carry what could come.”

“Life’s Grammar…
You are all what the myth can’t bear.

You are an open tense,
To carry what could come.”

In …(Iphigenia), two of the most visionary and daring musical voices of our time—composer Wayne Shorter and librettist and performer esperanza spalding—have created a modern operatic re-imagining of a powerful ancient story.

Shorter and spalding’s …(Iphigenia), unlike its forebears, is not an adaptation of the Greek myth as much as it is an intervention into myth-making itself, and an intervention into music and opera as we know it. Classical and jazz forms collide in a full orchestral score that features Shorter’s groundbreaking method of symphonic improvisation. …(Iphigenia) is multiplied, her identity is fractured and shared until the stage is occupied by a chorus of her.  …(Iphigenia) stares down the history of opera and makes some demands on its future: No more tragic women singing through suicide and going mad in perfect pitch. No more spectacles of women dead and dying. In the end, Shorter and spalding turn their gaze outward beyond the stage: What will we make, they ask, at this precise moment in our collective present when we are so desperately in need of new visions for the world. 

…(Iphigenia) is conducted by Clark Rundell. Additional text is provided by ganavya, former US Poet Laureate Joy Harjo, and Safiya Sinclair; additional a cappella vocal arrangements by Caroline Shaw.

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Black and white photo of a man holding a clarinet, wearing a dark shirt, with a neutral expression on his face.
Black and white photo of a man holding a clarinet, wearing a dark shirt, with a neutral expression on his face.

COMPOSER

WAYNE
SHORTER

"One of jazz's greatest composers” (New York Times), Wayne Shorter has left an indelible mark on the development of music for the last half-century. He first rose to prominence in the late 1950’s as the primary composer for Art Blakey’s Jazz Messengers. He next joined the Miles Davis Quintet becoming what Davis referred to as the ensemble’s “intellectual musical catalyst” before co- founding the pioneering group Weather Report. Beginning in 2001, he led his own highly acclaimed, Grammy Award-winning Wayne Shorter Quartet.

His works have been performed by the Chicago Symphony, Detroit Symphony, Lyon Symphony, National Polish Radio Symphonic Orchestra, Orpheus Chamber Orchestra, Prague Philharmonic and Royal Concertgebouw Orchestra. Acclaimed artists and ensembles as Renée Fleming and the Imani Winds have also performed his works. He has received commissions from the National, St. Louis, and Nashville Symphony Orchestras, the Los Angeles Philharmonic and the La Jolla Music Society. In all, Mr. Shorter has realized over 200 compositions, dozens of which have become modern standards. His many accolades include 11 Grammy Awards and a 2018 Kennedy Center Honor.

Librettist

esperanza
spalding

Black and white portrait of a man with curly hair wearing a blazer and t-shirt, looking at the camera with a serious expression.
Black and white portrait of a man with curly hair wearing a blazer and t-shirt, looking at the camera with a serious expression.

Born in 1984 in Portland, Oregon, esperanza spalding is an eaabibacliitoti* artist, trained and initiated in the North American (masculine) jazz lineage and tradition. Her work interweaves through various combinations of instrumental music, improvisation, singing, composition, poetry, dance, therapeutic research, storytelling, teaching, regenerative agriculture, urban land & artist-sanctuary custodianship, and growing in love as a daughter, sister, cousin, niece, auntie, great-auntie, friend, while collaboratively decolonizing within and through her hometown community.    

She founded and serves as co-director of Prismid Sanctuary, a non-profit that creates and stewards free artist residency, performance, and workshop space in Portland, Oregon (Prismid.org). 

With her dance project “Off Brand gOdds” and her therapeutic music incubator “Songwrights Apothecary Lab” she co-leads performance, teaching, workshop, and therapeutic-arts research residencies in collaboration with colleges and arts venues across the Americas and throughout the world. She is a 2024 recipient of the Doris Duke Foundation Artist Award and a 2016 Ford Foundation “Art of Change” Fellow. 

*European-African ancestored being influenced by American cultures living in Indigenous Territories of Turtle Island

CONDUCTOR

CLARK
RUNDELL

With a repertoire spanning centuries, continents, and styles, Clark Rundell has established himself as a champion of music ranging from the 18th century to the current day, from Jazz to Kora, from Tango to European modernism, and from large, multidimensional projects to music of complexity and intricacy. Opera world premieres include James MacMillan’s Clemency at Covent Garden, Orlando Gough’s Voices & Votes in Bergen, Julian Joseph’s Tristan and Isolde in London, Oscar Bettison’s The Light of Lesser Days in the Netherlands and the Wayne Shorter/esperanza spalding opera …Iphigenia in Boston and a major US tour.

Deeply committed to the performance of new music, Clark Rundell has given world premières of works by composers such as Louis Andriessen, Steve Reich, Mark-Anthony Turnage, James MacMillan, Django Bates, Sir Richard Rodney Bennett, Oscar Bettison, Gary Carpenter, Trish Clowes, Tansy Davies, Tim Garland, Adam Gorb, David Horne, Julian Joseph, Steve Mackey, Steve Martland, Brad Mehldau, Martijn Padding, Gwilym Simcock, Wayne Shorter, and Julia Wolfe.

 As an arranger, he collaborated with Louis Andriessen on two suites from the late Dutch master’s operas Rosa (Rosa’s Horses) and Writing to Vermeer (Vermeer Pictures) and contributed substantially to the orchestration of Shorter’s …Iphigenia. Clark Rundell spent much of his childhood in Bloomington, Minnesota. He studied conducting and trombone at Northwestern University before joining the faculty at the Royal Northern College of Music in Manchester. 

FEATURING
the Children of the Light trio

Danilo
Pérez

piano

John
Patitucci

bass

Brian Blade

drums

Celebrating and inspired by Wayne Shorter, musical soulmates Danilo Pérez, John Patitucci, and Brian Blade have long performed together as essential members of the Wayne Shorter Quartet. Embracing the message of their mentor and friend, these three virtuosos celebrate Wayne’s music and introduce new compositions with the Children of the Light trio. Their three-way conversation is an intense collective improvisation, unfolding and constructing the music like a rhythmic and smoldering chamber recital. Together, they form what the New York Times calls “a band of spellbinding intuition, with an absolute commitment to the spirit of discovery [and] an incalculable influence on the practice of jazz in the 21st century.”

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upcoming concert engagements

Wroclow, Poland
November 20, 2026

Producing Team

commission partners

Kennedy Center logo
BroadStage logo
CalPerformances logo
MASS MoCA logo
ArtsEmerson logo
Carolina Performing Arts logo

…(Iphigenia) is co-commissioned by Cal Performances at the University of California, Berkeley; The John F. Kennedy Center for the Performing Arts (Washington, DC); The Broad Stage (Los Angeles); ArtsEmerson (Boston); Carolina Performing Arts (Chapel Hill, NC); and MASS MoCA (North Adams, MA). 

Generous support for …(Iphigenia) is provided by the Ford Foundation, The Andrew W. Mellon Foundation, the Doris Duke Charitable Foundation, Alexander Leff, Thomas M. Neff, the Stavros Niarchos Foundation, New Music USA, and everyone who gave to the …(Iphigenia) crowdfunding campaign. 

pERFORMANCE HISTORY

November 5-6, 2021 • MASS MoCA (North Adams, MA)
November 12-13, 2021 • Premiere •
ArtsEmerson (Boston, MA)
December 10-11, 2021 •
The John F. Kennedy Center for the Performing Arts (Washington, DC)
February 12, 2022 •
Cal Performances at UC Berkeley (Berkeley, CA)
February 18-19, 2022 • The Broad Stage (Santa Monica, CA)

contact

General Inquiries

Octopus Theatricals, Tour Producer
info@octopustheatricals.com

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