“Life’s Grammar…
You are all what the myth can’t bear.
You are an open tense,
To carry what could come.”
“Life’s Grammar…
You are all what the myth can’t bear.
You are an open tense,
To carry what could come.”
In …(Iphigenia), two of the most visionary and daring musical voices of our time—composer Wayne Shorter and librettist and performer esperanza spalding—have created a modern operatic re-imagining of a powerful ancient story.
Shorter and spalding’s …(Iphigenia), unlike its forebears, is not an adaptation of the Greek myth as much as it is an intervention into myth-making itself, and an intervention into music and opera as we know it. Classical and jazz forms collide in a full orchestral score that features Shorter’s groundbreaking method of symphonic improvisation. …(Iphigenia) is multiplied, her identity is fractured and shared until the stage is occupied by a chorus of her. …(Iphigenia) stares down the history of opera and makes some demands on its future: No more tragic women singing through suicide and going mad in perfect pitch. No more spectacles of women dead and dying. In the end, Shorter and spalding turn their gaze outward beyond the stage: What will we make, they ask, at this precise moment in our collective present when we are so desperately in need of new visions for the world.
…(Iphigenia) is conducted by Clark Rundell. Additional text is provided by ganavya, former US Poet Laureate Joy Harjo, and Safiya Sinclair; additional a cappella vocal arrangements by Caroline Shaw.
COMPOSER
WAYNE
SHORTER
"One of jazz's greatest composers” (New York Times), Wayne Shorter has left an indelible mark on the development of music for the last half-century. He first rose to prominence in the late 1950’s as the primary composer for Art Blakey’s Jazz Messengers. He next joined the Miles Davis Quintet becoming what Davis referred to as the ensemble’s “intellectual musical catalyst” before co- founding the pioneering group Weather Report. Beginning in 2001, he led his own highly acclaimed, Grammy Award-winning Wayne Shorter Quartet.
His works have been performed by the Chicago Symphony, Detroit Symphony, Lyon Symphony, National Polish Radio Symphonic Orchestra, Orpheus Chamber Orchestra, Prague Philharmonic and Royal Concertgebouw Orchestra. Acclaimed artists and ensembles as Renée Fleming and the Imani Winds have also performed his works. He has received commissions from the National, St. Louis, and Nashville Symphony Orchestras, the Los Angeles Philharmonic and the La Jolla Music Society. In all, Mr. Shorter has realized over 200 compositions, dozens of which have become modern standards. His many accolades include 11 Grammy Awards and a 2018 Kennedy Center Honor.
Librettist
esperanza
spalding
Born in 1984 in Portland, Oregon, esperanza spalding is an eaabibacliitoti* artist, trained and initiated in the North American (masculine) jazz lineage and tradition. Her work interweaves through various combinations of instrumental music, improvisation, singing, composition, poetry, dance, therapeutic research, storytelling, teaching, regenerative agriculture, urban land & artist-sanctuary custodianship, and growing in love as a daughter, sister, cousin, niece, auntie, great-auntie, friend, while collaboratively decolonizing within and through her hometown community.
She founded and serves as co-director of Prismid Sanctuary, a non-profit that creates and stewards free artist residency, performance, and workshop space in Portland, Oregon (Prismid.org).
With her dance project “Off Brand gOdds” and her therapeutic music incubator “Songwrights Apothecary Lab” she co-leads performance, teaching, workshop, and therapeutic-arts research residencies in collaboration with colleges and arts venues across the Americas and throughout the world. She is a 2024 recipient of the Doris Duke Foundation Artist Award and a 2016 Ford Foundation “Art of Change” Fellow.
*European-African ancestored being influenced by American cultures living in Indigenous Territories of Turtle Island
CONDUCTOR
CLARK
RUNDELL
With a repertoire spanning centuries, continents, and styles, Clark Rundell has established himself as a champion of music ranging from the 18th century to the current day, from Jazz to Kora, from Tango to European modernism, and from large, multidimensional projects to music of complexity and intricacy. Opera world premieres include James MacMillan’s Clemency at Covent Garden, Orlando Gough’s Voices & Votes in Bergen, Julian Joseph’s Tristan and Isolde in London, Oscar Bettison’s The Light of Lesser Days in the Netherlands and the Wayne Shorter/esperanza spalding opera …Iphigenia in Boston and a major US tour.
Deeply committed to the performance of new music, Clark Rundell has given world premières of works by composers such as Louis Andriessen, Steve Reich, Mark-Anthony Turnage, James MacMillan, Django Bates, Sir Richard Rodney Bennett, Oscar Bettison, Gary Carpenter, Trish Clowes, Tansy Davies, Tim Garland, Adam Gorb, David Horne, Julian Joseph, Steve Mackey, Steve Martland, Brad Mehldau, Martijn Padding, Gwilym Simcock, Wayne Shorter, and Julia Wolfe.
As an arranger, he collaborated with Louis Andriessen on two suites from the late Dutch master’s operas Rosa (Rosa’s Horses) and Writing to Vermeer (Vermeer Pictures) and contributed substantially to the orchestration of Shorter’s …Iphigenia. Clark Rundell spent much of his childhood in Bloomington, Minnesota. He studied conducting and trombone at Northwestern University before joining the faculty at the Royal Northern College of Music in Manchester.
FEATURING
the Children of the Light trio
Danilo
Pérez
piano
John
Patitucci
bass
Brian Blade
drums
Celebrating and inspired by Wayne Shorter, musical soulmates Danilo Pérez, John Patitucci, and Brian Blade have long performed together as essential members of the Wayne Shorter Quartet. Embracing the message of their mentor and friend, these three virtuosos celebrate Wayne’s music and introduce new compositions with the Children of the Light trio. Their three-way conversation is an intense collective improvisation, unfolding and constructing the music like a rhythmic and smoldering chamber recital. Together, they form what the New York Times calls “a band of spellbinding intuition, with an absolute commitment to the spirit of discovery [and] an incalculable influence on the practice of jazz in the 21st century.”
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Joy Harjo is an internationally renowned poet, performer, and writer of the Muscogee (Creek) Nation. She served as the 23rd Poet Laureate of the United States from 2019 – 2022.
Harjo is the author of twelve books of poetry, including her forthcoming, Cloud Runner: Poems (2026), the highly acclaimed An American Sunrise (2019), which was a 2020 Oklahoma Book Award Winner, Conflict Resolution for Holy Beings (2015), which was shortlisted for the Griffin Prize and named a Notable Book of the Year by the American Library Association, and In Mad Love and War (1990), which received an American Book Award and the Delmore Schwartz Memorial Award. Her first memoir, Crazy Brave, was awarded the PEN USA Literary Award in Creative Non Fiction and the American Book Award, and her second, Poet Warrior: A Memoir, was released from W.W. Norton in Fall 2021.
Harjo’s awards and recognitions include the 2024 Frost Medal from the Poetry Society of America, Yale’s 2023 Bollingen Prize for American Poetry, a Class of 2022 National Humanities Medal, a Lifetime Achievement Award from Americans for the Arts, a Ruth Lily Prize for Lifetime Achievement from the Poetry Foundation, the Academy of American Poets Wallace Stevens Award, a PEN USA Literary Award, the Poets & Writers Jackson Poetry Prize, two NEA fellowships, a Guggenheim Fellowship, and a National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, among others. Her poetry is included on a plaque on LUCY, a NASA spacecraft launched in Fall 2021 and the first reconnaissance of the Jupiter Trojans.
Harjo performs with her saxophone and flutes, solo and with her band, the Arrow Dynamics Band, and previously with Joy Harjo and Poetic Justice. She/they have toured across the U.S. and in Europe, South America, India, Africa, and Canada. Harjo has produced seven award-winning music albums including Winding Through the Milky Way, for which she was awarded a NAMMY for Best Female Artist of the year. Her newest album, Insomnia and the Seven Steps to Grace, co-produced with esperanza spaulding, was released Spring 2026 from Folkways.
Harjo served as a chancellor of the Academy of American Poets and as a founding board member and Chair of the Native Arts and Cultures Foundation. She has been inducted into the American Academy of Arts and Letters, the American Academy of Arts and Sciences, the American Philosophical Society, the National Native American Hall of Fame, and the National Woman’s Hall of Fame.
Harjo holds the Ruth Yellowhawk Fellowship from the Kettering Foundation, and is the inaugural Artist-in-Residence for the Bob Dylan Center in Tulsa, Oklahoma. She lives on the Muscogee Nation Reservation in Oklahoma
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Safiya Sinclair was born and raised in Montego Bay, Jamaica. She is the internationally bestselling author of the memoir How to Say Babylon, winner of the National Book Critics Circle Award, the OCM Bocas Prize for Caribbean Literature, and was a finalist for the Women’s Prize for Non-Fiction and the Kirkus Prize. How to Say Babylon was included on over 17 Best Book of 2023 lists, including the New York Times’ 100 Notable Books of the year, the Washington Post Top 10 Books of 2023, TIME Magazine’s Top 10 Nonfiction Books of 2023, and The Atlantic’s 10 Best Books of 2023. It was a Read with Jenna/TODAY Show Book Club pick and named one of President Barack Obama’s Favorite Books of 2023. How to Say Babylon was also named a Best Book of the Year by The New Yorker, NPR, The Guardian, the Los Angeles Times, Vulture, Harper’s Bazaar, and Barnes & Noble, among others, and was an ALA Notable Book of the Year. The audiobook of How to Say Babylon was named a Best Audiobook of the Year by Audible and AudioFile magazine.
She is also the author of the poetry collection Cannibal, winner of a Whiting Award, the American Academy of Arts and Letters’ Metcalf Award, the OCM Bocas Prize for Caribbean Poetry, the Phillis Wheatley Book Award, and the Prairie Schooner Book Prize in Poetry. Cannibal was selected as one of the American Library Association’s Notable Books of the Year, and was a finalist for the PEN Center USA Literary Award and the Seamus Heaney First Book Award in the UK, and was longlisted for the PEN Open Book Award and the Dylan Thomas Prize.
Sinclair’s other honours include a Guggenheim Fellowship, the Royal Society of Literature International Writers Prize, and fellowships from the Poetry Foundation, the Civitella Rainieri Foundation, the Hawthornden Foundation, and the Elizabeth George Foundation. Her work has appeared in The New Yorker, The New York Times, Time Magazine, Harper’s Bazaar, Granta, The Nation, and elsewhere. She is currently a Professor of Creative Writing at Arizona State University.
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Tamil Nadu-raised and New York-born critically acclaimed vocalist GANAVYA lives, learns, and loves fluidly from the nexus of many frameworks and understandings. Hers is a deeply profound and rooted voice. A multi- disciplinary creator, she is a soundsmith and wordsmith. Trained as an improviser, scholar, dancer, and multi- instrumentalist, she maintains an inner library of "spi/ritual" blueprints offered to her by an inter-generational constellation of collaborators, continuously anchoring her practice in pasts, presents and, futures.
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Caroline Shaw is a musician who moves among roles, genres, and mediums, trying to imagine a world of sound that has never been heard before but has always existed. She works often in collaboration with others, as producer, composer, violinist, and vocalist. Shaw is the recipient of the Pulitzer Prize in Music, an honorary doctorate from Yale, five Grammys, a Tony nomination, and a Thomas J. Watson Fellowship. Caroline has written and produced for iconic artists and ensembles across the musical spectrum, including Rosalía, Renée Fleming, Yo-Yo Ma, Tiler Peck, Nas, Kanye West, the LA Phil, the NY Phil, and others. Recent projects include the Death of a Salesman on Broadway, Hedda Gabler at the Old Globe, “Leonardo Da Vinci” (Ken Burns/PBS), Fleishman is in Trouble (FX/Hulu), Rosalía's LUX and MOTOMAMI, Pastoral (Pam Tanowitz) The Crucible (National Theatre), Partita (Justin Peck/NYC Ballet), Moby Dick (Wu Tsang), and LIFE (Gandini Juggling/Merce Cunningham Trust). Current touring projects include shows with Sō Percussion, Ringdown, Attacca Quartet, Roomful of Teeth, Graveyards & Gardens, Gabriel Kahane, Andrew Yee, and Kamus Quartet.
Producing Team
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Mara Isaacs is a Tony® and Grammy® Award-winning creative producer, recognized as a leader in developing and producing new plays, musicals and multi-disciplinary work across the globe. Mara generates opportunity through the organizations and programs she creates: Octopus Theatricals, to produce an expansive body of work—from experimental to commercial; Octoverse Media, an independent record label and multi-media platform; Producer Hub, providing professional resources and community to producers and artists in the independent sector; and Arts Impact Collaborative, to tell compelling stories documenting the essential role the arts play in communities throughout the US. Selected production highlights: HADESTOWN (Broadway, West End, North American Tour; Best Musical Tony and Grammy); GYPSY with Audra McDonald (Broadway); GODDESS (Public Theatre 2025); Patrick Page’s ALL THE DEVILS ARE HERE (off-Broadway, US Tour); Theatre for One (US, Ireland, Kenya). In Development: A BEAT OF OUR OWN; THE QUEEN'S GAMBIT; I FEEL MYSELF TO BE PART OF SOMETHING (documentary film series) and more. Mara is currently an Entrepreneur in Residence with Yale Ventures. She serves on the boards of Producer Hub, the Dramatists Legal Defense Fund, Almasi Arts Alliance and the Broadway League, and as a member of the Tony Administration Committee and American Theatre Wing Advisory Board. Previously: Producing Director at McCarter Theatre Center in Princeton, NJ and Associate Producer at the Mark Taper Forum/Center Theatre Group in Los Angeles.
She founded Octopus Theatricals in 2013.
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Cath Brittan is a music, theater, and opera producer and production manager based in California. Originally from Manchester, England, she spent 15 years in Vienna working for the Vienna Festival and freelancing throughout the opera houses of Europe. Since moving to California in 2015 she has worked with the Los Angeles Philharmonic, Cal Performances, Kronos Quartet, San Francisco Symphony Soundbox, and Peter Sellars. Brittan’s recent productions include Das Paradies und die Peri (LA Philharmonic and Peter Sellars), and Anthony Roth Costanzo’s Glass Handel with Visionaire and Costanzo at the Cathedral of St. John the Divine in NYC. Brittan is also the producer for AMOC* (dir Zack Wintour & Matt Aucoin).
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Formed in 2018 by Creative Producer Jeff Tang (The Metropolitan Opera, National Sawdust) and Grammy Award-winning bassist, composer, and vocalist esperanza spalding, Real Magic challenges the boundaries and expectations of traditional art and performance through the development of bold and courageous new work that embraces risk, dares audiences, and celebrates the capacity of the human spirit.
commission partners
…(Iphigenia) is co-commissioned by Cal Performances at the University of California, Berkeley; The John F. Kennedy Center for the Performing Arts (Washington, DC); The Broad Stage (Los Angeles); ArtsEmerson (Boston); Carolina Performing Arts (Chapel Hill, NC); and MASS MoCA (North Adams, MA).
Generous support for …(Iphigenia) is provided by the Ford Foundation, The Andrew W. Mellon Foundation, the Doris Duke Charitable Foundation, Alexander Leff, Thomas M. Neff, the Stavros Niarchos Foundation, New Music USA, and everyone who gave to the …(Iphigenia) crowdfunding campaign.
pERFORMANCE HISTORY
November 5-6, 2021 • MASS MoCA (North Adams, MA)
November 12-13, 2021 • Premiere • ArtsEmerson (Boston, MA)
December 10-11, 2021 • The John F. Kennedy Center for the Performing Arts (Washington, DC)
February 12, 2022 • Cal Performances at UC Berkeley (Berkeley, CA)
February 18-19, 2022 • The Broad Stage (Santa Monica, CA)
contact
General Inquiries
Octopus Theatricals, Tour Producer
info@octopustheatricals.com